Flo Rida - Mail On Sunday

March 31, 2008 – 1:23 pm

You probably know this Miami MC from “Low,” a club jam about pursuing a girl in Apple Bottoms jeans — it spent ten weeks at Number One on the Hot 100. For much of his debut album, Flo Rida seems like he’s trying to match the broad appeal of “Low,” but he has only limited success: Big, brawling cuts like “Priceless,” an homage to the cash lining Flo’s pockets, are just generic pop rap, relying on speedy rhymes, slick grooves and not-that-hooky hooks. Most of the guest vocalists — including Sean Kingston, Rick Ross and Brian “Baby” Williams — seem to have phoned in their contributions, though a couple of big-name producers help a little bit: Will.i.am lays down the sexy electro-pulse of “In the Ayer,” and Timbaland chips in a buzzy beat on “Elevator.” But for much of Mail, the synth beats and Flo’s flows — many of them about girls and money — sound pretty standard-issue. And when Mail changes pace, it’s with “Still Missin,” a sappy slow-jam with a whiny chorus that goes, in part, “My ho still missin’.” Strangely enough, the song doesn’t quite cut it as far as pathos goes.
Source: rollingstone.com

Cavalera Conspiracy. Inflikted.

March 31, 2008 – 10:30 am

Cavalera ConspiracyCavelara Conspiracy is the reunion of two legendary brothers of the Thrash metal scene. They split their union in 1996 when Max Cavalera leaved Sepultura because of a fight between his wife (the manager of the band) and the rest of Sepultura. He formed Soulfly while Sepultura get a new singer a change their sound a bit more to Hardcore metal. Soulfly got a bit of popularity but the fans of sepultura were not happy with a bordline new-metalish nound. In 2006 Igor decided to quit Sepultura because he wanted to get a break. In 2007 the two brothers decided to reunite and their first jams were magic. They formed Cavalera Conspiracy.

Max Cavalera - Vocals, Guitars
Marc Rizzo - Guitars
Joe Duplantier - Bass, Vocals
Igor Cavalera - Drums

Cavalera Conspiracy InfliktedInflikted is a good mix of both Soulfly and Sepultura. In fact, songs like Nevertrust, Sanctuary, Black Ark and Bloodbrawl could have been taken from Chaos A.D. or Roots. Nevertrust is a short song that reminds me a lot of Biotech Is Godzilla. The song is fact, punkish guitar riff, engaged lyrics. Sanctuary is more Refuse/Resist sounding with a catchy chorus and strong riffing during the bridge. The Soulfy sound is coming from songs like Inflikted, Ultra-Violoent, Hex and The Doom of all Fires. Those songs add the more tribal hardcore sounding of Soulfly. The album also features some typical electro-industrial sound as usual.

One of the first thing that made me appreciate this record is the way Max produce his vocals. Almost all of the songs have infectious lines. The Doom of All fire features some strong metaphors and references from older soulfly records or sepultura stuff. Terrorize features also a catchy chorus: «terror rise/terror rising/terrorize…». Joe Duplantier got his chance to shine on Black Ark while is singing the chorus. He actually did a good job with this other infectious chorus.

Marc Rizzo also got a chance to show all of his talent. Is shredding is almost inhuman in some part. Bloodbrawl, Inflikted and Black Ark features great solos. He’s also throwing some interesting leads in Terrorize and Nevertrust. Marc is versatile player and he proves it in Bloodbrawl with his amazing acoustic playing during the outro. The album also features lots of great riff that will remind you great memories of Sepultura. Like I said earlier Sanctuary features an amazing bridge with lots of chugging riffs. Terrorize got a riff similar to Escape to the Void which is kinda cool. Bloodbrawl also features a lot of good riffs.

Max Cavalera ConspiracyOne of the big turnoff for this album is Igor work. He always had been an awesome drummer, especially on Arise and Chaos A.D. It’s not that he did a bad job, but he’s drumming is not in the front row even if he’s one of the two reunited brothers. Some grooves like the opening of terrorize are great and fresh he’s mostly doing the typical metal drumming thing.

Overall this album is a huge surprise for me. Max still got some good riffs in his bag and his unique voice that made him famous. Some might find it repetitive but I don’t think it is actually. This is not the record of the year but it’s a fun listen and you should give it a chance. I hope they’ll continue with another record.

Wife of entertainment mogul Simmons files for divorce

March 27, 2008 – 12:29 pm

Kimora Lee Simmons has already moved on, but she took steps to make it official by filing for divorce from her husband of seven years, entertainment mogul Russell Simmons.

Although the couple separated in March 2006, Kimora Lee Simmons just filed divorce papers Tuesday in Los Angeles Superior Court. The 32-year-old Baby Phat fashion designer and reality TV star cited irreconcilable differences.

She and Russell Simmons, 50, have two daughters: 8-year-old Ming Lee and 5-year-old Aoki Lee.

Source: CNN.com

Dark Horse David Cook: Is It Fair For Him To Cover Other Covers?

March 27, 2008 – 12:27 pm

‘Cook deserves credit for being smart and aware of new or different versions of songs,’ one ‘Idol’ expert says of rocker’s not-so-new interpretations.

There’s something fishy about “American Idol” contender David Cook.

Cook, the rock-leaning lad with the highlighted comb-over, closed Tuesday night’s episode of “American Idol,” belting out Michael Jackson’s “Billy Jean” — a song released the year he was born.

But Cook’s take on the track was actually former Soundgarden/Audioslave frontman Chris Cornell’s version. Cornell’s cover appeared on his sophomore solo album, Carry On, which was released last year.

Sure, “Idol” host Ryan Seacrest prefaced Cook’s performance by saying, “With Chris Cornell’s version of ‘Billie Jean,’ here’s David Cook,” but his introduction was barely audible, coming from the pit of screaming fans located just in front of the studio’s stage. And though Cook’s performance was very much a cover of Cornell’s cover, the “Idol” judges absolutely loved it and praised the performance for its “originality.”

Seeing as “Idol” contestants are judged not only for their vocal performances but on their arrangements as well, it seems Cook has been coasting off others’ visions. Does this mean Cook has had an unfair advantage over the rest of the “Idol” crop?

Michael Slezak, a senior writer for Entertainment Weekly known for his “Idol” coverage, said he thinks Cook is smart for picking the arrangements he has.

“I think it’s a little silly to accuse him of stealing arrangements,” Slezak explained. “You know, Chris Daughtry took a real hit when he did a version of [Johnny Cash’s] ‘Walk the Line’ and didn’t, at any point, credit Live’s version, but in this case, Cook put it out there, clearly having Ryan state, ‘He’s doing Chris Cornell’s version,’ and if you listen to both versions, it’s not like he did a complete carbon copy of Cornell’s, anyway.

“I would understand why people would want to see some of these contestants — if they’re going to get credit for being brave and innovative — completely change up a song on their own,” he continued. “I think it’s also hard to ask them to do that. They only have a week to come up with the arrangements, and then they’ve got to get the ‘Idol’ band onboard with it and record their version for the iTunes download, so it doesn’t give them a lot of time to come up with a completely innovative arrangement of a song every week. Ultimately, I think Cook deserves credit for being smart and aware of new or different versions of songs — different than the ones people are familiar with. I don’t know if he should get credit for being brave, but he should get credit for being smart and singing these songs well.”

But this season, Cook has been accused of copping another artist’s cover on more than one occasion. Just three weeks ago, a Seattle band came out against Cook, claiming he’d ripped off their rockin’ cover of the Beatles’ “Eleanor Rigby.” Doxology said they recorded their version of the track more than a year ago and even had it available on iTunes and their MySpace page. According to the band’s manager, the cover was what Doxology is best known for, but the guys didn’t sue Cook — they merely asked for recognition.

Even prior to that claim, several “Idol” fans took to the message boards to cry foul over Cook’s cover of Lionel Richie’s “Hello,” one they claimed was very similar to Incubus frontman Brandon Boyd’s solo take on the track.

As far as Slezak is concerned, Cook is just dealing with the inevitable backlash that those labeled as “the ones to beat” face when they’re on “Idol.”

“He is getting ripped on now because he has emerged as the surprise front-runner, and I think anytime you are in that position, people are going to look for a way to tear you down,” Slezak said. “It’s the nature of ‘Idol.’ People have to find things to criticize him for, because right now, he’s performing really strongly and moving up in all the ‘Idol’ polls. His detractors have to latch onto something, I guess.”

But no, Slezak insisted, Cook hasn’t survived on “AI” because he’s had an unfair advantage throughout the contest.

“He’s just aware of these versions in the first place,” he said. “It’s not like Cornell’s version was a #1 hit. The average ‘Idol’ viewer at home may not even be aware of that version, so he could have gone ahead and not credited it at all, and I wouldn’t be surprised if the judges didn’t know that version. The judges give him credit for bravery and innovation when he’s just really being smart and savvy and picking interesting versions of the song that really suit his vocal style. What he’s doing is really no different than any contestant on the show. David Archuleta picked Stevie Wonder’s version of ‘We Can Work It Out,’ and Carly Smithson picked Celine Dion’s version of ‘I Drove All Night.’ Cook is just picking slightly more creative and interesting versions of his songs. It’s hard to make a case that he’s doing something unfair. He’s just a smart competitor.”

Source: MTV.com

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Nine Inch Nails album earns $1.6M on Web!

March 19, 2008 – 9:06 pm

Nine Inch Nails Mp3‘Ghosts I-IV’ gets just under 800,000 transactions in first week

The online release of the new Nine Inch Nails album, “Ghosts I-IV,” resulted in just under 800,000 transactions in its first week, totaling $1.6 million in revenue, the industrial-rock band has revealed.

The tally includes free and paid downloads, as well as advance orders for physical configurations like various limited-edition vinyl releases, CDs, and a boxed set.

“Ghosts I-IV,” the band’s first release since becoming a free agent last October, went on sale March 2 at its Web site, http://www.nin.com. Fans can receive the first nine songs from the 36-track project for free, or can pay $5 for the entire digital album.

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Led Zeppelin consider future reunions

January 15, 2008 – 3:08 pm

Led Zeppelin are to hold a music band meeting this month to talk about their future, it has been confirmed.

The regenerated legends played a comeback concert at the O2 Arena in London last month, which was crowned 2007’s greatest rock event.

Bass player John Paul Jones has admitted that no one has ruled anything out following the one-off gig.

“There’s a band meeting in January. It could be fun to do more stuff,” he told Rolling Stone mag.

Talking about the pressure surrounding December’s gig, Jones said Zeppelin remained calm despite 1000000 people applying for 7,000 tickets.

“For us, it was just, ‘Let’s get on and do it.’ Obviously, it was quite a reception when we did get out there,” he explained.

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Bruce Springsteen - “Magic”

December 30, 2007 – 7:46 pm

35 age as an justifiable rock and roll musician allows Bruce Springsteen an opinion on the state of over-the-air radio receiver, and he accepts it - and accepts the average to the woodshed on the ruthless “Radio Nowhere.” The opening smash adjusts the tone, with the ageless Boss wondering, “Is there anybody out there?” before imploring, “I just want to hear some rhythm.” Then, with E Street Band in tow, Springsteen goes on to retrace every step between here and Greetings from Asbury Park, hand-delivering more could-be, would-be hits than anything he’s done since Born in the USA. Credit producer Brendan O’Brien for the wall of sound that backs “Girls in Their Summer Clothes,” which sets the atmosphere for one of the great vocal performances by Springsteen, who plays the misfit “in the cool of the evening light” watching the girls “pass me by.” With piano, glockenspiel, and infinite guitars, the rocker “I’ll Work for Your Love” recalls The River, with Springsteen even settling for blue-collar hero in matters of the heart. “Livin’ in the Future” could be an out-take from Darkness on the Edge of Town, with shades of Election Day booming outside with the boastful saxophone of Clarence Clemons and Little Steven’s relentless back-vocals. There’s even a hint of Nebraska on “Terry’s Song,” an earnest (and mostly solo) accolade with Springsteen acknowledging the death of a friend: “When they built you, brother/They broke the mold.” The secret track finishes this unforeseen comeback, and for forty-eight minutes the about 60-year-old Bruce Springsteen goes 35 again.

Radiohead plan New Year’s Eve webcast!

December 30, 2007 – 6:43 pm

Rock ‘n’ roll musicians Radiohead will transmit a public presentation of their new album In Rainbows on television and the web on New Year’s Eve.

The pre-recorded set will go out on United States. and United Kingdom. cable and satellite channel Current TV, and online on Current.com and Radiohead’s own internet site on Monday.

Frontman Thom Yorke tells, “This is a wee (little) celebration of the release of the physical demonstration of In Rainbows.”

In Rainbows is published on CD on 31 December in the Great Britain. and 1 January in the United States. Two months after being released online by the band.

Kylie Minogue awarded OBE

December 29, 2007 – 12:04 pm

Kylie Minogue has a very special reason to celebrate the New Year - she has learned she’ll pick up an Order of the British Empire (OBE) medal after landing a place on Queen Elizabeth II’s New
Year Honours List.

The cancer survivor, 39, has been a beloved Australian export in her adopted Britain for more than 20 years, and has sold more than 60 million records worldwide.

kylie minogueAlso named on the Queen’s coveted list is chat show king Michael Parkinson, who will be knighted in 2008, and Lord of The Rings star Sir Ian McKellen, who becomes a Companion of Honour.

Actress Julie Walters and beloved comedy actor Leslie Phillips will also be honoured by The Queen. Both get Commanders of the British Empire (CBE) medals.

And James Bond producer Barbara Broccoli is to receive an OBE.

Minogue isn’t the only music star on the Honours List; JethroTull singer/flautist Ian Anderson becomes a Member of The Order of The British Empire (MBE), and Soul II Soul hitmaker Jazzie B, aka Trevor Romeo, is awarded an OBE.

Ozzy Osbourne biography delayed

December 29, 2007 – 11:54 am

Despite acknowledging that, “it takes me 18 months to read a fucking pamphlet”, OZZY OSBOURNE last year agreed to join the ranks of CS Forester, Evelyn Waugh, PG Wodehouse and JD Salinger at publisher Little, Brown, by signing a lucrative deal to write his memoirs. It was to be released in time for our stockings
this week.

ozzy osbourneUnsurprisingly, for a man who has slow-cooked his cortex in adventurous chemicals, there were hitches in collecting the rocker’s thoughts. Seven months ago, Pandora reported that Ozzy (busy touring) had missed his deadline, requiring wife Sharon to pen an emergency follow-up to her own autobiography.

The publisher rescheduled his bingeing, bat-biting extravaganza for release on May 1st, 2008